Rajini makes Sun to shine more bright

It’s now official! Superstar Rajinikanth’s Robo has earned big dividends to producers of the film Sun Pictures.

Sun Pictures has produced the film, which is reportedly close to Rs 132 crores. After completing more than 100 days, the production made an officially statement regarding the figures at the box office.  Robo (Endhiran) has made revenue of Rs 179 crore as per the fiscal report.

The film was released in 2400 screens worldwide. According to one of the leading newspaper Economic Times, the film holds 30% of Sun Pictures revenue in the third quarter of 2010. Chief Operating Officer of Sun TV, Ajay Vidyasagar has revealed Sun TV has earned 50%  increase in the revenues i.e. 607.06 core during December 2010 quarter. The company made a net profit of 48% i.e. 225.5 crore.

It’s Superstar who made SUN to shine brighter, without any doubt!

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‘Turning 30!!!’: an insight into a woman’s psyche

Aging skin, fading glow, white streaks in the hair and uncertainty – audiences will get to taste a slice of life in “Turning 30!!!” that talks about women either hitting a subconscious halt or turning a new leaf at the milestone age.

Produced by Prakash Jha, the light-hearted outing is the directorial debut of Alankita Srivastav, who has been a long-time assistant to Jha.

With former beauty queen Gul Panag in the lead, the young urban woman-centric love story also features Purab Kohli in a pivotal role. Made at a budget of Rs.3.5 crore, the film will hit over 125 screens Friday.

Dharmendra and his sons Sunny and Bobby Deol-starrer “Yamla Pagla Deewana” is also releasing the same day, but the first time director has no apprehensions.

“Not at all! I love Dharampaji. In fact we are all going to watch ‘Yamla Pagla Deewana’ together with ‘Turning 30!!!’,” Alankrita said over the phone from Mumbai.

“It is a completely different kind of film and there is space for both the movies. They are in completely different zones and genres,” she added.

Set in Mumbai, the movie revolves around Naina (Gul) who, in the face of her 30th birthday, grapples with a heartbreak and a crisis in her advertising career. A hilarious and heart-warming journey of a young woman who is blossoming into a woman of substance, the movie then deals with the hurdles in her life and how she overcomes them as a mature person.

Gul, who herself touched the 30-mark last year, says apart from the physical changes that one experiences, a lot of self-assessment starts poking women in the head at that age.

“The skin starts showing its age, the glow might start fading, the tightness and firmness on the skin starts to feel the change. Expectations begin to hover in a self-assessment procedure and also by your near and dear ones,” she said.

“But the people who are stable in their lives don’t really realise much of these things. But the ones who haven’t been able to establish themselves go through this phase more than the others,” she added.

Having already generated some buzz courtesy its slick trailer and a different subject, the movie is expected to receive niche footfalls.

“Usually people in rural settings are settled in their lives with their family and work and just have an aim to earn more and live a happy life. But in urban settings, we are so disorganised. Women are not married, might be unemployed, they have no permanent accommodation at times and, on top of it, the physical changes start worrying you….so it is something to be anxious about,” said Alankrita.

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Salman named best actor, ‘Dabangg’ best film at Apsara Awards

Bollywood star Salman Khan Tuesday triumphed at the 6th edition of the Chevrolet Apsara Film & Television Producers Guild Awards by bagging the best actor prize for hit comedy “Dabangg”, which was declared the best film.

“Dabangg”, released last year, was Arbaaz Khan’s first film as a producer and became the biggest grosser of the year at the box office. Directed by first time director Abhinav Kashyap, the film also introduced Sonakshi Sinha, daughter of actor-politician Shatrughan Sinha. It gave 2009’s best item number “Munni Badnam” too.

Karan Johar got the best director award for “My Name Is Khan”. Set in a tumultuous post 9/11 America, the film starred Shah Rukh Khan as a Aspergers syndrome patient who sets out on a journey to prove that every Khan is not a terrorist.

In the best actress category there was a tie between Vidya Balan and Anushka Sharma – while the former was awarded for her stupendous performance in critically acclaimed “Ishqiya”, the latter was honoured for her role in the successful film “Band Baaja Baraat”

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‘No Entry’ sequel not called ‘Be Positive’: Anil Kapoor

Evergreen actor Anil Kapoor has dismissed rumours that the sequel to his 2005 laugh riot “No Entry” is named “Be Positive” after the oft-repeated phrase by his character in the outing.

“No. It’s not called ‘Be Positive’. It’s called ‘No Entry Mein Entry’,” Anil said.

The sequel too has producer Boney Kapoor and director Anees Bazmee.

Rumours are rife that the original male cast of Salman Khan, Anil and Fardeen Khan will be seen in double roles in the Part II.

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I’m not doing ‘Desi Boyz’, ‘Tezz’: Suniel Shetty

Macho actor Suniel Shetty has denied that he is a part of action comedy “Desi Boyz” and thriller “Tezz”.

“I am not doing ‘Desi Boyz’ or ‘Tezz’. That’s what I have said no to,” Suniel said.

The directorial debut of Rohit Dhawan, “Desi Boyz” stars Amitabh Bachchan, Akshay Kumar, John Abraham and Deepika Padukone while Priyadarshan’s “Tezz” features Mohanlal, Anil Kapoor, Ajay Devgn, Zayed Khan, Kangna Ranaut, Sameera Reddy and Boman Irani.

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UPENDRA AS RAJINI-GALLERY

Credit:
Jeevi rating: 0.5/5
Punchline: Triple trouble
Genre: Fiction
Banner: Sarath Chandra productions
Cast: Upendra, Felicity, Ananth Nag, Melukote Seenu (Monkey)
Story: Upendra
Music: Gurukiran
Producer: Ramu
Photography - Screenplay - Direction: Dinesh Babu

Release date: 3rd January 2003

Story

Surendra (Upendra) and Upendra (Upendra) are identical twins. Surendra is a research scientist in Los Angeles working with an old professor (Anant Nag). Upendra, a filmmaker from India, lives with his brother Surendra. Upendra's aim to is make an Oscar winning Hollywood film. They have a beautiful blond neighbor called Manisha (Felicity) who is an American Indian. Surendra is a shy guy and Upendra is a dashing guy. Surendra admires Manisha, but Manisha likes Upendra for his vigor.

Depressed Surendra tells his professor about his problem. Then the professor creates a robot which looks and acts like Upendra. That robot acts the way Manisha wants it to be and makes Manisha fall in love with Surendra. The professor's idea is to destroy the robot once Manisha falls in love with Surendra. In the process, the robot becomes selfish and it wants to remain as lover of Manisha. The robot starts misbehaving and tries to suppress Surendra. To counter this robot, the professor creates a look-alike of Manisha so that robot Manisha attracts robot Surendra. After coming to know about these look - alike and powerful robots, mafia in USA kidnaps these people. The climax deals with putting an end to this troublesome triplet.

Artists:

Upendra: Upendra donned three roles in this film and he looks pathetic in the film. The only entertaining factor in his get-up is the dialogues uttered by robot and that credit goes to dubbing artist. Upendra has become too monotonous.

Ananth Nag: Anant Nag is just perfect for the role of robot-designing professor. His action is subtle with fine mannerisms.

Technical Departments:

Story: Story by Upendra for this film is weird. The following points are the glaring loopholes in the basic storyline.

1. Upendra comes to Hollywood in a bid to win Oscars. His grudge in life is that the white people in Hollywood don't like black skin. Hence they have not awarded Oscar to Lagaan. He wants to get an Oscar by making a film in Hollywood. After 15 minutes of storyline, he is totally missing from the story and again reappears towards the cliamax.
2. An identical man could be made only by cloning and not by designing a robot. Funniest thing about this robot is that it is programmed to listen to all languages in this universe including that of a monkey.
3. When the cops in US catch this robot-guy, they marvel about his abilities in stead of reporting the same to the Government.

Screenplay - camera - direction: Screenplay of the film is very loose. Direction is full of flaws. The director failed to hold the attention of audiences towards the story. Camera work by the director is also mediocre.

Dialogues: There is one typical dialogue of Upendra (hate women) sorts in this film which says - 'Never trust females. The difference between male and female is Fe. In Chemistry Fe stands for Iron. And women tend to crush men with their iron like hard and rigid mentality' - 'adi koorchomani chebite padukune type'. The dialogue writers liberally used the expletive 'naa kodaka'. You find this expletive being used at least once in every 5 minutes.

Music: Music by guru Kiran is pathetic. Only song that could get some attention is that song 'I dash you' because of the funny lyric and mass beat. All other songs are bad.

Analysis:
There are only two Indian actors in this film (Upendra and Ananth Nag). As if one Upendra is not enough, we have triple role for him. Upendra's action gets onto your nerves. 'Hollywood' is a boring film with unimpressive script. You can safely avoid it, even when you get a chance to watch it for free on your idiot box. It is disheartening to start the New Year by watching a film like 'Hollywood'.

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SRI DIVYA MOVIE GALLERY

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DEEPIKA SINGH HOT PIC

DEEPIKA:
  she is very hot,not only hot very petty to express abt her because she is deepika

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The men in Deepika's life

Before her Bollywood debut Deepika is rumoured to have dated struggling models Nihar Pandya, Upen Patel and Muzzamil Ibrahim. After the phenomenal success of her debut film 'Om Shanti Om', Deepika was seen cheering Yuvraj Singh at cricket matches though there never was any official confirmation from them. Did she date Dhoni too? We don't really know. Deepika was reportedly very upset when Dhoni and Yuvraj Singh made fun of her at an awards ceremony. The Deepika-Ranbir affair was no secret. Both confessed their undying love for each other and Deepika also got RK tatooed on her nape. But Ranbir's alleged infidelity broke Deepika's heart. Recently Deepika has been frequently spotted with Kingfisher scion Siddharth Mallya. While a wiser Deepika is being very discreet about her current relationship, their public appearances together say a different tale.

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Dabangg is out of the best film category

The first award ceremony in the year 2011 is gearing up for Bollywood with the preparation of the 17th Annual Star Screen Awards. But the nomination of the award ceremony is very shocking, because the two big hits of the industry does not include in the category of the Best Film.
The blockbuster of the all time, Dabangg, and the other hit of 2010, My Name Is Khan, are not named in the best film category in this year’s Star Screen Awards. In the best film category the small budget movie like Udaan and Love Sex Aur Dhoka is nominated, besides big banner movies like Band Baaja Baaraat, Raajneeti and Once Upon A Time In Mumbai. Interestingly, both the Khans (Shah Rukh and Salman) will compete in the category of the best actor for their respected movies.

The list for the best actor category includes names like Naseeruddin Shah, Ranbir Kapoor , Rishi Kapoor, Ajay Devgn, Hrithik Roshan and Paresh Rawal. Surprisingly, the low budget movie Udaan has got maximum nominations – 14, followed by Ishqiya with 13 nominations. The all time blockbuster Dabangg has managed to get 12 nominations.




Dabangg Hindi Crime Action Movie 2010

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Cast and Crew
Cast: Salman Khan, Sonakshi Sinha,
Arbaaz Khan,Sonu Sood,Mahie Gill,
Vinod Khanna,Dimple Kapadia,Om Puri,
Anupam Kher,Tinu Anand,
Mahesh Manjrekar,Amitosh Nagpal
Director: Abhinav Kashyap
Producer: Arbaaz Khan
Banner: Shree Ashtavinayak Cinevision Ltd,
Arbaaz Khan Productions
Music: Sajid,Wajid
Lyrics: Jalees Sherwani
Cinematography: Mahesh Limaye
Editing: Pranav Dhiwar
Story/Writer: Dileep Shukla,Abhinav Kashyap

Released Date: 10/9/2010 On Eid Day

Dabangg Synopsis:
Set in Uttar Pradesh, Dabangg is the story of a corrupt police officer played by Salman Khan and highlights the flaws and loopholes in the system.
The film will primarily deal with the unlawful practices in the states of UP and Bihar.

Dabangg Music Review:

Hud Hud! Here comes desi Robinhood aka Salman Khan with his film Dabangg and its full-on-masti music. The promos are already a hit on the small screen. So what is lined up for the music buffs, or, to say, Sallu fans?
Sajid-Wajid, Salman’s favourite composer duo is back after Veer, creating songs for Dabangg as well. So, plug-in to Dabangg music, which for sure is going to entertain you.
In a typical Sajid-Wajid style, the album begins with Tere Mast Mast Do Nain, a Bollywood romantic number soused in sufi flavour. If Rahat Fateh Ali Khan delivers the song in his usual vigour, Shreya Ghosal’s saccharine voice adds melody to the song. Deadly combo and terrific rendering! However, the remix version of the song fails to make a mark. Rahat again wins hearts with the sad version of the song which is slow and immensely passionate.

Welcome Munni Badnam Hui song and get into the Dabangg rustic mood. The masala track has Malaika Arora’s thumkas, so expect the screen to sizzle. Newcomer Lalit Pandit is the composer of the song and gets Mamta Singh and Aishwarya to sing this raunchy number, and one will definitely enjoy its catchy lyrics, main jhandu bam hui darling tere liye - that’s mind-boggling. Well, the credit goes to lyricist Jalees Sherwani. Alas! the remix version of the song has not much to offer.

The album slips into mushy mood with Chori Kiya Re Jiya. Sonu Nigam and Shreya Ghosal team up again to give us a love ballad. But the track falls short of expectations; sadly it is just an average number.

Now comes the true Dabangg song. Hud Hud Dabangg is gritty and valorous in tone and who else than Sukhwinder to sing it. As usual, the crooner has done a brilliant job with this number which makes it one of the must-hear songs in the whole album. So what if it’s a bit similar to the Omkara track.
Hamka Peeni Hai, is another song that promises sharab, shabab and music. The folk based song crooned by Wajid with Master Salim is full on masti which makes it undoubtedly a treat for the Salman maniacs. The remix version is racy and saucy; get ready to have a blast.

The most entertaining of the lot seems to be the Dabangg theme, which is extensively used in the promos. The instrumental song has some of Salman’s dhasu dialogues from the film too. Like a fireball, the theme song enthralls.
Music directors have done full justice to the album and to Salman’s character. The actor’s die-hard fans will surely not be disappointed. The groovy songs bustle with vim and fun.

 

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no one killed jessica

Story: Based on the murder of model Jessica Lall (1999) in an uptown eatery in Delhi and her sister, Sabrina Lall's fight for justice, the film showcases contemporary India as it is. The mockery of the legal procedure, the loopholes in the policing system, the corruption in the power circles, the vulnerability of the common Indian: Sabrina's ( Vidya Balan) struggle -- powered by the feisty journalist, Meera Gaity's dogged investigation and the people's crusade -- brings life to newspaper headlines that still haven't been forgotten. 

Movie Review: No One Killed Jessica (NOKJ) is a film that unleashes a myriad emotions in you. The hard facts of modern India's most written about case are well known by almost everybody but the director Rajkumar Gupta's (he'd already displayed his talent in Aamir) dramatic handling of the crime, the criminals, the crusaders and the victim creates a storm, once again. The film makes you feel angry, sad, frustrated, bitter about the umpteen flaws in our administrative and legal machinery. But more than all this, it fills you with hope and confidence about your own self. NOKJ reaffirms the power and the efficacy of the ordinary man who can -- and must -- make the difference in a dismaying world. Unlike super hero sagas, the film doesn't just showcase two feisty women -- Sabrina and Meera -- who take on the might of the fecund Indian state. Instead, it throws light on the fact that the whole nation came together, joined the Justice for Jessica crusade and displayed how power actually resides in people rather than politicians and their puppets. That's the heartening message the film throws out loud and clear at a time when the state of the scam-tainted nation isn't too edifying. 


The pitfalls in making a film that draws its drama from real life are many. NOKJ could easily have unspooled like a soulless documentary that cuts and pastes newspaper headlines in cardboard collage fashion. But kudos to the film maker and the performers for infusing whole lot of soul and body in the film which races across like a hard-punch thriller. From the first phone call which informs a sleepy Sabrina of her sister's death to the candle-lit vigil at India Gate, NOKJ is a racy crime drama that relentlessly draws you in. And when its not the riveting screenplay (Rajkumar Gupta) and the dialogues which hold your attention, it is the actors who grab eyeballs with their power-packed portrayals. Rani Mukherji's rendition of the `bitch', Meera Gaity -- a balsy, cuss-word-spewing newshound -- is sure to give you an adrenalin high. Newcomer Myra's Jessica act is full of life and endearing. But it is Vidya Balan's Sabrina who steals the show with her quiet courage, her absolute ordinariness and her complete disbelief at how someone with a pistol in his hand and power in his head could shoot down somebody for a mere drink. Watch Balan's body language and her aimless travels in Delhi's public transport and you'll understand how the common man survives in India: against all odds, albeit with courage and dignity. A word about Rajesh Sharma's cop act: it's poignant and brilliant. He's the cop who unabashedly takes a bribe for not beating up the politician's son in custody and yet does any and everything to fight for justice. 


The film has an impeccable first half and could do with some editing in the second half. But the high drama, the arresting performances and the spunky audio track (Amit Trivedi) make NOKJ a memorable viewing. 


A word about: 


Performances : Everyone puts in an impressive act. If Rani is impeccable as the world-wise, hard-talking, foul-mouthed journalist, then Vidya's common man (read girl) act is stupendous. The rest of the ensemble cast fits in perfectly in their respective roles. 


Story : Rajkumar Gupta's taken newspaper headlines and added heart and soul to them. 




Dialogues: It's copy book Delhi that comes alive on screen. From the betel-stained thanas to the high-heeled social circuit, the lingo has no false ring. 


Cinematography : Delhi looks beautiful, ominous, heartless and all-heart too. 


Music: Amit Trivedi's heavy-metal tracks form the right ringtone to this hard-hitting film. Case in point `Dilli Dilli' and `Aali re'. 


Styling : Rani's uptown TV journo garb and Vidya's almost dowdy -- and functional -- dress sense are totally in sync with the story. 


Inspiration : Real life.

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Anushka Akshay spat!

Anushka had a great time shooting with the one and only Khiladi, but also admits to have been quite nervous on her first day

Anushka Sharma seems to be in the happiest phase of her life. The pretty lady is quite satisfied with the way her filmy career and personal life are shaping up. Anushka who started her Bollywood journey with King Khan in Rab Ne Bana Di Jodi, didn’t leave that great an impression on the audience in Badmaash Company with Shahid Kapoor .

But her last film, Band Baaja Baaraat covered up for all the complaints and past failures and turned out to be the best out of all the films that she has done so far. Anushka who has just completed her film Patiala House with Akshay Kumar is waiting for its release in February. The actress had a great time shooting with the one and only Khiladi, but also admits to have been quite nervous on her first day.

She says, “Working with Akshay Kumar was a dream come true experience. But the first day I reached the shoot, we had a scene where I was told to spit on his face. It was my first day and I was anyway quite nervous and he (Akshay) kept saying ‘thook thook, spit on my face’. That really got me stunned.” Akshay really wanted to bring out the best from his actress, even if it was something as gross as spitting. Anushka says, “Though I was nervous, Akshay made it easy and comfortable and the shot went smoothly.” Akshay has always maintained a good rapport with all the newcomer actresses, so is the beautiful Anushka Sharma going to replace the sexy Kat! Only time can tell kiska bajega band aur kiski niklegi baaraat.

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